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For the first time, a royal patron, Amar Singh II (r. 1698–1710), even before his accession to the throne, decided to incorporate Mughal elements into secular art, as seen in the white domed architecture and interest in conveying some sense of spatial depth. Nevertheless, the artist still adheres to the use of horizontal registers and bold planes of color. The codified iconography of Shri Raga involves a royal couple listening to recitations. Shri Raga is described as: \"Splendidly enthroned of peerless beauty and lovely as the autumn moon, he sits hearing stories from Narada and Tumburu. By the great sages he is called Shri Raga King.\" Amar Singh has playfully substituted his own portrait for that of the generic king, and a woman for that of the sage. 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